friday funnies

all the news that fits...

monkey in a jar

When I first began "very secret monster things", I wasn't sure of the exact direction this great & beautiful unwieldy beast would take. I knew I would post some muzik, given my predilection thereof; some comix, because they're "not just for kids anymore!"; &, of course, lots of art, my own as well as others who inspire me to create said art. Now that I'm getting my sea-legs as it were, I see more clearly my path. The music is fun & I like to share some stuff you kids may not have (mash-ups, remixes, covers, etc.), but I think I'm going to start concentrating more on the art, especially my own~ some old, some new, but hopefully, never boring.
Let's start with a vintage piece that I still like for some odd reason...

it's okay if only five folks read this blog if one of 'em is this guy...

When I post (like when I draw), I do so in a vacuum, in my studio, alone~ surrounded by my toys, my drawing table & my spinner rack of comix. I never know what the response will be to any given piece of work I produce, if it will be successful, or indeed if anybody will see/read it at all.
This blog has been fun thus far, still finding my way, finding my voice as it were. Sometimes I despair at the seemingly low number of folks who visit this dark crevice of the inter-webs; not that I don't cherish those who do. All the comments & e-mails I've received have been truly wonderful & have kept me sane, focused & indeed inspired.
But the following deserves special recognition~

"Very cool stuff!
I like what you did with the wolves--the final version definitely works. I also like the self-portrait, with your (very well-drawn, btw) hands, projecting towards the reader.
But what I like MOST--is the way that you write!
You have a very direct, unpretentious, endearing--and ultimately, very cool--way of expressing yourself in words! Much FUN to read!
I'm only sorry that it took me this long to check out your blog, and find that out.
All the best to you--and thanks again, for the very nice compliments about my work. (But you're no chopped liver yourself, y'know!)
Take care-
Trevor"

That's Trevor Von Eeden.
Of whom I wrote here.
Whose craft, imagination & talent, both when I was growing up & to this day, imbues me with huge amounts of knowledge & pleasure ~ with his beautiful line-work, thought-provoking layouts, & totally original & utterly wonderful style.
Here's something I scanned from an old Batman annual I have on my spinner~
It's just Batman flicking on a light switch, but it shows that when Trevor Von Eeden drew anything, it wasn't ever just anything at all...

'nuff said.

finally apprehended

"Fallin' Asleep" week concludes, very appropriately~

syllabus

More navel-gazing & nakedness (maybe that's what I shoulda' called the strip instead of "Fallin' Asleep")~

big bad wolf

"Fallin' Asleep" week continues with one of my favorites~

we interrupt the art for a very important message from the president of the united states...

touch the sky

& for my next trick, I draw myself nekkid~

the greenest hair

More "Fallin' Asleep" for y'all...
Remember: only dogs see in black & white; color-blindness is a misnomer, it should really be called "color-confused".
Enjoy~

fallin' asleep

Back to work, back to bloggin'...

Whilst in college (Rutgers '92), I really came into my own as an artist. I had transferred from School of Visual Arts in Manhattan & found a real home for my work on the pages of the three major college papers there. I first slung ink at the Rutgers Review with the cult hit "Skullboy" until they censored my work once too often (a story for another time, kids). Fortunately, Ian Jacobs & Heather Alevras (to both of whom I am eternally grateful) wooed me away to "The Medium", the ugly step-child of the school's papers, with the promise of a full page for my doodles &, more importantly, a lot more respect for my work. It was there I really found my proverbial niche. At the same time, due to my ever-increasing & even more inexplicable rising popularity, I was offered some space at the "Targum", the school's stalwart, staid & somewhat stilted paper of record, wherein I tested the boundaries of good taste with a strip called "Creative Juices" (this work I will share as well in the near future).

But it was at the aforementioned "Medium" that I gave my ink-stained heart & soul with the magnum opus called "Fallin' Asleep".

I was allowed full artistic freedom to create this work which allowed me to clear my head of all the insanity & inanity that kept me up all through the the night, at first revolving at around sexual proclivities (my own & others as well) & thankfully evolving into something a little more~ some political, social & environmental musings; some emotional & psychological explorations; some small answers to big questions; & lots & lots of drawings of me naked.

This week, I will share some of my favorites from the approximately 83 some-odd (& some were very odd indeed!) strips that encompassed "Fallin' Asleep" in all its inky glory some almost twenty years past.

This first piece is a good example of the navel-gazing in which I often indulged, one of the very things for which I believe college was created.

I was so much older then...